MOVEMENTS IN CINEMA

Niches

  1. French New Wave

    At the end of the 1950s a circle of Paris critics put down their pens and picked up cameras: the street, daylight, borrowed money, friends.

    1950s · 1960s
  2. New Hollywood

    For one American decade the studios lost their certainty and handed directors final cut.

    1960s · 1980s
  3. Italian Neorealism

    Italy filmed itself in the ruins of the war: real streets, non-professional actors, the light that happened to be there.

    1940s · 1950s
  4. Japanese Animation

    Animation in Japan grew as an industry rather than a school, which is why its range runs from domestic drama to metaphysics without changing register.

    1970s · 2020s
  5. Parallel Cinema

    An Indian cinema that grew up in Bengal alongside the commercial flood rather than inside it.

    1950s · 1970s
  6. Italian American

    American films about Italian-American life by directors who grew up inside it and refused to sentimentalize it.

    1970s · 1990s
  7. Giallo

    Named for the yellow-jacketed crime paperbacks Italy read on trains, and staged like them: black gloves, impossible architecture, colour pushed far past what the scene calls for.

    1960s · 1980s
  8. New German Cinema

    A generation that called the West German film industry morally bankrupt, said so in a manifesto, and built a cinema from nothing.

    1970s · 1980s
  9. Japanese Golden Age

    Through the 1950s the Japanese studios produced at industrial volume, and the directors inside them made some of the most durable films anyone has.

    1950s · 1960s
  10. Soviet Sci-Fi

    Under Soviet censorship the science fiction turned inward: the voyage is a pretext, and what the ship arrives at is conscience and memory.

    1920s · 1980s
  11. German Expressionism

    Weimar Germany built its film sets as painted distortions: shadow used as architecture, a crooked wall for a crooked thought.

    1920s
  12. Cinéma du Look

    A French run of the 1980s that put surface first: saturated colour, night cities, advertising light.

    1980s · 1990s
  13. The French Polar

    The gangster film as one director settled it: trench coats, rooms with nothing in them, men who barely speak because the code is not up for discussion.

    1950s · 1970s
  14. Japanese New Wave

    A generation that refused the humanism of the masters ahead of it: sex, crime, class and the war, in forms as disordered as the subjects.

    1960s · 1970s
  15. Dogme 95

    A vow of chastity, published in Copenhagen in 1995: shoot on location, hold the camera, add no light, no music, no genre, and take no director credit.

    1990s · 2000s
  16. Soviet Montage

    In the decade after the revolution, a handful of Soviet directors argued that a film’s meaning lives in the cut between two shots rather than inside either one.

    1920s · 1930s
  17. Slow Cinema

    Films that hold the shot past comfort, until the waiting becomes the subject.

    1970s · 2010s
  18. The Essay Film

    A film that thinks out loud: a voice, often the maker’s own, argues with the images instead of acting in front of them.

    1920s · 2000s
  19. The Hollywood Musical

    The studio musical as a school: Fred Astaire and Ginger Rogers at RKO in the 1930s, then the unit Arthur Freed ran at MGM, where Minnelli, Donen and Gene Kelly let song and dance carry the story.

    1930s · 1960s
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